News & Events
Fourth in the Roaring Twenties mystery series due to be released in August. I just received the cover design from the publisher. Love it!
Looks like we’re snowed in for a few days. Living at the end of a long driveway and a cul-de-sac that never gets plowed means we have to wait for the snow to melt. But there are worse things than being snowed in for a few days–we have plenty of wine and firewood, the electricity hasn’t shut off, and it’s a perfect time for writing.
HHHunt, a mid-Atlantic developer of first-quality planned communities, commissioned a book to commemorate its 50th anniversary milestone. The results are this beautiful full-color story of the company’s founders, early years, growth, and recent achievements. This is the fifth corporate history I’ve written, and I’m quite proud of it.
At long last, the third in the Roaring Twenties series comes to the U.S.! It is now available in bookstores and online, and should be available in libraries within a few weeks. If you can’t wait that long, click on the clover on the right hand side of this page and read the first chapter.
“A little sparkle, a hint of sex, some wily Prohibition-era shenanigans, and one smart cookie in the lead make this a great read.” –Booklist, 10/15/16
First place would have been nicer, but I’ll take second any day!
My publisher, Severn House, sent me the artwork for the cover for Renting Silence, the third in the Roaring Twenties series. I love it! I think it’s the best of all my covers. The woman looks just like I envision Jessie: unruly bobbed hair, confident gaze, pretty but not glamorous. I couldn’t be happier–which is lucky for me because authors usually have little to no say in their book’s cover.
The book will be released in August in the U.K., but not until December in the U.S.
Publishers Weekly reviews only a few of the many books published each month, so I was fortunate that they chose Stolen Memories for their April 4 review–and doubly lucky that they liked it!
Set in Paris in 1928, this suspenseful novel from Mary Miley (Silent Murders) will appeal to fans of the classic movie Gaslight. After surviving being thrown into the Seine, the unidentified narrator wakes in a hospital to find that she can’t recall her name or anything else about her life. Although the passport found in her purse identifies her as Eva Johnson, she refuses to accept that name. She’s haunted by feverish dreams involving lost paintings and a lost little boy, and her conscious moments are also a torment, especially after she’s confronted by Alexander DeSequeyra, a man claiming to be her husband. Her alarm only grows after hearing that Alexander committed a murder years earlier, but escaped conviction due to his wealth and influence. She becomes even more isolated after Alexander arranges her discharge from the hospital into his care, having overcome the doctor’s medical objections with a hefty bribe. Miley keeps the twists coming—and the reader guessing—to the end.
My historical gothic mystery/romance debuts this week. What’s a gothic? Simply put, gothic = mystery + spooky setting + romance. I wrote the first draft of this book fifteen years ago! Since that time, it’s been reviewed by 2 critique groups, my first agent, my second agent, and my editor, and has undergone countless revisions. The next time someone asks me how long it takes to write a book, I may just think of Stolen Memories and say, “Fifteen years.” Available in paperback and ebook format, here.
Synopsis: A brutal attack along the banks of the Seine in 1928 leaves a young Englishwoman close to death in a Paris hospital, without a memory in her head. She soon comes up against a vengeful husband who accuses her of the theft of priceless art, the French gendarmes who have linked her to a murder on the Riviera, and a scorned lover who is trying to kill her. The husband, believing his wife’s amnesia is faked, spirits her away to an ancient chateau in the French province of Champagne, where prehistoric dolmens and standing stones dot the fields and caves hewn out of limestone are used for more than storing wine. But who is trying to poison her and bury her in an avalanche of slate? Who is laying a trap for her deep within the wine caves of Champagne?
More than half a century ago, three Catholic sisters from the Congregation of Bon Secours moved to Richmond to establish a hospital. For five years, they labored over every detail—formulating plans, raising money, supervising construction, purchasing equipment, hiring staff—while continuing to nurse the sick and dying in their own homes. When St. Mary’s Hospital opened its doors in the early days of 1966, Richmond learned the true meaning of the French words, bon secours. Good help. St. Mary’s was Richmond’s first Catholic hospital, its first hospital run by women, and its first racially integrated hospital. In 2016, it marks the fiftieth anniversary of its founding by looking back with pride on five decades of service to the community and looking ahead to a promising future. Its doctors, nurses, staff, volunteers, and sisters celebrate this landmark with a nod to the past and a vision of the future that inspires generations to come with the Bon Secours mission of compassionate care—“good help for a lifetime.”